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“I whispered a litany of hate. I breathed hatred at my life, my job, and especially this place¾this fucking house of horrors. I hated the nuns with their pious smiles and the crucifixes with their useless, dying saviors; I hated the nurses who regarded the chaplains with barely disguised condescension and the doctors who barely regarded us at all; I hated the other chaplains who might have been able to do this without falling apart. I hated the whole goddamned world in that moment, all its sadness and death. But mostly I hated the God that let a baby be a corpse, a baby who would have been born to possibly the most worthy mother on the planet. What does John 3:16 mean to that mother in that moment? What use is God in the face of absolute hopelessness and irreparable sorrow?”

Norm saw Katrina stretched out before a monstrous glacier of other people’s pain. It rolled over her day after day, piercing her skin¾shards of anguish becoming imbedded along with jagged strips of bitter grief. Fragments of human tragedy attached to her like angry, stinging barnacles.

Little universes were dying and being born at the same time on her face. Even as she stabbed at God with her anger, Norm marveled at how much simple goodness shone in her eyes, an empathy deep and ancient as the sea, inextricable, unconquerable.

Vapor Trails

Jets draw vapor trails across the blue.
Thin, man-made clouds linger,
expanding slowly, warping, dissipating, gone.
More planes fly overhead leaving
Straight lines that intersect at odd angles,
a child’s geometry;
man’s poison finger
leaves its mark.

Poetry is a weird thing

“…the poet…the lonely one who looks on,
The bearer of human longing, the pale image
Of whom the future, the fulfillment of the world
Has no further need. Many garlands
Wilt on his grave,
But no one remembers him.”

Hermann Hesse

 

There’s a happy thought, Mr. Hesse. Thanks for that. 

I’ve been tinkering again lately with poetry. It’s irresistible because it is a microcosm of word-art. A sketch. Brief perhaps, but one hopes that it has distilled something large, something that matters, something beautiful, poignant.

I will be mailing off two poems today, submitting to Asimov’s. It would be really gratifying to get published there. You can count on me bragging about it, should it happen.

I am confident that the pieces are good, worthy of publication. Here’s to hoping the editors have the same feeling.

 

If you want to ride on the back of an armored ice bear, if you want to wield special tools to divine truth and slice into parallel worlds, if you want to step into the land of the dead to see if two strong-willed children can free their young friend’s ghost…then you won’t really care that Phillip Pullman, the author of the “His Dark Materials” trilogy (The Golden Compass, The Subtle Knife, and The Amber Spyglass), is somewhere between an atheist and an agnostic on the religious scale.

I devoured the “Dune” trilogy and the “Lord of the Rings” trilogy when I discovered them many years ago. Wonderful books they were, and seminal in the maturing of my love for both reading and writing. I did not care what J. R. R. Tolkein believed or didn’t believe. I didn’t care if Frank Herbert was an atheist or a Zoroasterian. If these authors had an agenda, an ulterior motive, a political or religious point to make with their novels, it was of no consequence to me. I loved their stories. They entertained me for countless hours, yes, but they also made me think, laugh, cry, and hunger for the next opportunity to spend time in the worlds and lives of complex, fascinating characters caught up in epic struggles. 

Pullman’s made no secret that he is anti organized religion. It’s not hard to see the subtext in these stories. He would love to convince you that the church is utterly  rotten and that Christianity’s God is an unfortunate but powerful myth best shed in favor of more reliable scientific and human truths.

But these works by Pullman—like the works of Tolkein and Herbert—are magnificent stories, well told. To refuse to read them simply because you don’t care for the author’s religious views is to rob yourself of the immense pleasure derived from reading exceptional, compelling, and often poetic prose.

I loved these stories. It’s been years since I’ve been so gripped by a novel, much less three novels. Pullman had me, no question.

Reading this series of novels has done no damage to my faith. If anything, I saw a whole lot of ways in which Pullman’s created world cries out for a sane, just, moral center and even a hopeful afterlife. I saw Pullman’s longing for the triumph of the good and the right, despite his disdain for religion.

If you’re a dude or dudess who digs reading—read them!

In Memory of Don

My friend Don died this year,  just a few months shy of his 50th birthday. Leukemia.

He took all the steps, he fought hard. He wanted to live.

I can only imagine his pain—emotional and physical. You’re supposed to be in the middle of your life, you have a wife and a daughter. You have plans. Then this. Your own body is rebelling against your desire to live, a traitor from within.

I visited him the weekend he died. This was a man in a kind of pain no one wants to understand. He knew full well how merciless, how cruel, and how relentless his enemy was. Cancer is a mean bastard.

In conversations I had with Don he told me he had made peace with the possibility of dying. He was placing his fate in the hands of God and he had accepted the verdict, whatever it was going to be. Near the end he told a friend, “God’s been good to me.” To have made such a statement in the midst of this is a powerful testament both to Don’s makeup and the hope and peace faith can bring to life.

Don’s generosity was a theme that kept coming up at his funeral. This is something I know about.

Through financial struggles, the loss of a home, a divorce, and unhappy employment at a previous job, he was there—helping in critical, concrete ways. I have the job that I have because of Don. My life is enriched because he was a part of it. And my story is just one of many.

Don’s wife and daughter were amazing during the trial of his illness. I saw them at the hospital that weekend and I know they were a truly profound comfort to him in this incomprehensible circumstance.

I took my Visitor’s Pass sticker from the hospital and stuck it to my windshield that night on the drive home. It’s still there. It reminds me of my friend Don, his generosity and his courage.

It also reminds me that I am—we all are—just visiting. We rightfully want and hope for our stay to be long. But no one knows. The idea that we should “seize the day” is no longer an abstraction. The four words that sum this up for me are: LIVE WHILE YOU’RE ALIVE.

The last time I saw Don alive I held his hand and said, “I believe I’ll see you again.” Without a moment’s hesitation he said, “You will.”

Thank you, Don, for all that your life has meant to me and so many.

Be seeing you, my friend.

The Pie and I

(This poem won 3rd prize–$250.00–in the annual Florence B Palmer poetry contest and was published in the 2007 “Spire,” ECC’s annual literary magazine.)*

The Pie and I

Conversations at a sidewalk café—
Pieces of sentences, disparate syllables,
Lives I’ll never know.
People breeze past, seeming purposeful—
Friday night,
On their way somewhere,
Having waited all week
For this brief moment that is almost certain to disappoint.
I smell their liberally applied perfumes and colognes
And my warmed strawberry pie.
A small flower bed on the corner
Offers a sweet, organic fragrance
As the wind sweeps over it.
I am vaguely aware of
Glasses clinking, forks hitting plates,
Cars passing, birds whistling.
A laugh from inside the café,
The loud rumble of a motorcycle.
A cell phone chirps.
A woman’s voice sings on the radio,
Barely perceptible,
Then gone,
As a convertible passes.
Car tires squeal in an absurd hurry.
To go where?
I wonder, in this little town
With so little culture.
This place, I think, is likely the best part of it,
As the night invents itself.
The show is that
There is no show.
The entertainment is that
Life is happening
And we get to hear it, smell it and even taste it,
Though the strawberry pie
Is just a memory now.

*To “see” the poem, as visually interpreted by a friend, go here: http://vids.myspace.com/index.cfm?fuseaction=vids.individual&VideoID=13198294

Courier News Article Dec 2007

I had the chance to ask legendary blues guitarist, Johnny Winter, a few questions recently.

Click on thumbnail (above) to read article and interview as published in the Courier News, December 2007 (Elgin, IL).

This is a concert review I wrote regarding the Johnny Winter show in December, ‘07. The Courier published it on January 04, 2008.

Johnny’s still a great player. If he comes around your town, don’t miss him!

Click on thumbnail to read.

 

This was a winning essay that came with a paycheck. Published a while back. It is no longer archived on WD site, so I scanned it.

Click on thumbnail to view.

On Thursday morning, Spencer Mills became acutely aware of his heart beating.

Without warning, he felt it—all warm and watery, pounding with peculiar enthusiasm—against his left breast.

More unsettling than that, he could see it.

Obscured from others in an office cubicle, Spencer watched the pocket of his shirt gently pulsing.

It felt like a panic attack, but those usually only happened right before he was about to do something that threatened severe humiliation.

Was this a precursor to a heart attack?

I’m thirty nine, he thought. Not fifty nine. This is not supposed to be happening.

After glancing over his shoulder to be sure no one was watching, he pressed his hand against his chest and immediately felt the rhythmic pounding travel into his left palm. Like a sinister current, the previously benign lub-dubbing seemed to snake throughout his body, parking in his skull. Spencer’s brain was suddenly a soft tomato throbbing against a fragile skin, one brief crescendo from bursting.

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